Sunday, June 13, 2010
Mephisto - Mephisto Makes a Deal - Brandon Whaley
Panel 1:
We see Mephisto, in all of his glory, sitting upon a throne surrounded by scantily-clad women, some of which are feeding him grapes and fanning him. All around debauchery basically.
Text Box: I can give you all that you desire...
Panel 2:
Mephisto standing on a cliff overlooking a vast and prosperous nation. His arms are outstretched to the city immediately below, and two of the girls from the previous panel are there with him, although much more properly dressed this time in robes and such.
Text Box: All this and more can be yours...
Panel 3:
The women are draping strings of precious gems upon Mephisto, and one is placing a crown inset with gems upon his head.
Text Box: Wealth, power, women...all of your pathetic heart's desires...
Panel 4:
Close-up on Mephisto's face.
Mephisto: "...if only you submit yourself and everything you believe in...to me."
Mephisto: Useless, human desires! Mephisto has no use for such things! I desire only souls!
Panel 5:
We see Mephisto from behind, but something is different. He is standing in what looks to be a meeting room. He is not the haughty, proud Mephisto we know. He stands slumped, and his head is hung in what appears to be shame.
Mephisto: This is why I...begrudgingly come to you. You're known for making the impossible happen.
Panel 6:
We see the (classic) Avengers standing on the other side of the room. They all have shocked expressions on their faces, the most shocked of them belonging to Steve Rogers. Mephisto has taken a knee in front of Captain America and almost has a pleading look on his face.
Mephisto: Make them stop! They won't leave me be! I need your help, Avengers!
Saturday, June 12, 2010
Mephisto - Ambrose Burnside - Max Barnard
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Page One - Eight Panels
1-- Ambrose Burnside, sitting in a dark room, with a circle of candles in front of him. He has a FULL BEARD, scraggly and long.
SPEECH BUBBLE/AMBROSE BURNSIDE - Gloria Satanas, et Belial et Spiritui maloso...*
TEXT BOX/EDITOR'S NOTE - "Glory Be To Satan And Belial, & To The Evil Spirits" - Don't Practice Satanism, kids! - Max "Mephistopheles" Barnard
2-- Mephisto appears in a puff of smoke before Burnside, in a dressing gown, toothbrush in mouth, small amount of foam dripping from the corner of said mouth. He also has bitchin' sideburns.
SPEECH BUBBLE/MEPHISTO - What do YOU want? It's very late and as you can see, I'm a VERY busy man.
3-- Close-up on Ambrose Burnside's face, looking towards the reader with an ar
ched eyebrow and a quizzical expression on his FULLY BEARDED face.
SPEECH BUBBLE/AMBROSE BURNSIDE - Ah... *Harumph* Yes... I would like to strike a deal with you. I wish to be President of the United Sta-... What ARE those devilishly handsome facial adornments?
4-- Mephisto is stroking his sideburns foppishly.
SPEECH BUBBLE/MEPHISTO - Oh, these old things? I don't have a name for them yet. Hey, I tell you what, you give me your soul, I'll give you political power AND these 'facial adornments'. Whaddaya say, pal? You can even name them after yourself!
5-- Ambrose Burnside is kneeling at Mephisto's feet, begging.
SPEECH BUBBLE/AMBROSE BURNSIDE - I SIMPLY MUST! TAKE MY SOUL, IT IS YOURS! JUST GRANT ME WHAT I NEED!
SPEECH BUBBLE/MEPHISTO - You want it, you got it!
6-- Mephisto has swiped down, removing only the elements of Burnside's facial hair necessary to produce his famed facial stylings. Burnside has a horrified look on his face.
SPEECH BUBBLE/MEPHISTO - YOU JUST MIGHT NOT LIKE WHAT YOU GET!
7-- Mephisto is looming over Burnside, who is looking understandably confused over his incomplete sideburns.
SPEECH BUBBLE/AMBROSE BURNSIDE - This isn't right! I wanted what you had!
SPEECH BUBBLE/MEPHISTO - Now now, there are limits to my powers. You may only have that facial hair, for eternity. Also you're only the Governor of Rhode Island. Thanks for the soul though!
8-- Mephisto disappears in a plume of smoke, whilst Ambrose Burnside is still kneeling, shoulders slumped on the floor.
SFX - FWOOSHHHH
SPEECH BUBBLE/AMBROSE BURNSIDE - What have I done? What... Have I GIVEN UP?
TEXT BOX/AFTERWORD - Sideburns still became popular thanks to Burnside, eventually adapting to Mephisto's style. But what Ambrose had to give up to release this trend into the world was something far beyond what any human should lose: his ETERNAL SOUL!
TEXT BOX - Fin.
Friday, June 11, 2010
Mephisto - The Devil Doesn't Play Chess - Matt Duarte
Wednesday, June 9, 2010
Mephisto - 4th Wall - Rol Hirst
Panel One.
Classic John Buscema Mephisto sits on a red throne, surrounded by demons. He's staring directly at us over steepled fingers, a slight smile curling one corner of his mouth.
MEPHISTO: No introductions are necessary.
MEPHISTO: If you've been reading these stories as long as I think you have, you know my name.
Panel Two.
He changes to mad, tentacle-faced John Romita Jr. Mephisto, a huge face leaning into the panel with tiny chains of tortured demons burning in the background.
MEPHISTO: You'll believe me too, when I say... I know you. All you are in this world.. all your sins... all your desires.
MEPHISTO: I'm here today to offer you a trade - one for the other. But it's not the deal you think it is.
Panel Three.
Main panel. Suddenly he's a far more human Mephisto in a scarlet business suit, sitting at a desk with a briefcase open in front of him. He's Business-Mephisto... you thought the other two were bad! He's staring into the briefcase as he rearranges some papers, talking without looking at us. Behind him, everyday office furniture.
MEPHISTO: It's a little game I sometimes play, when there aren't any superheroes, gods or galactic heralds to torment.
MEPHISTO: The one you desire most in this world. I don't even care enough to ascertain whether it's your spouse, your lover, or some secret fancy you've never confessed to anyone.
MEPHISTO: On the stroke of midnight, they will know your mind. Every dark secret. Every grubby corner. Every shameful thought you've ever withheld. Unless...
Panel Four.
He pushes an airline ticket towards us across the desk. His smile now is almost benevolent. He's offering us an out, after all.
MEPHISTO: Unless you take this ticket. Pack a bag, catch a taxi to the airport, get on a plane to far, far away... where you'll never see them again.
Panel Five.
Having closed his briefcase, he stands to leave. This meeting is over. He smiles a genuine farewell.
MEPHISTO: It's a straightforward offer. A simple decision. I'll leave you to make up your mind. Till midnight, then...
Tuesday, June 8, 2010
Mephisto - Deal Breaker - Simon McDonald
Monday, June 7, 2010
Mephisto - One More Date - Ben Rosenthal
1. Mary Jane getting ready to head out on the town. Wearing an expensive flashy black dress, there is a knock at the door as Mary Jane is putting on her ear rings. She rises to answer it.
2. The panel is of the open door. We see the edging of the door frame, as well as the back of Mary Jane as she looks through the open door. Standing in the doorway is Mephisto. His hair is slicked back, holding a box of chocolates in one hand, wilted flowers in the other. Behind him is the long hallway of the apartment building in which Mary Jane lives. There is a shadowed figure walking up the hall in the distance.
MEPHISTO
Hellooooooooooooooooo Mary Jane.
MJ
Mephisto?
MEPHISTO
I was just in the neighbourhood, and thought I would swing by and see if you were up for going out and painting the town ‘red’.
MJ
Ah, thanks for the offer Mephisto, but I already have a date for tonight.
3. Same framing as before in this panel, however poking his head from the left hand side of the door frame is Peter Parker. Mephisto’s mouth is open in shock, his shoulders slumped slightly forward and the flowers drooping a little lower.
PETER
Hey MJ!
MEPHISTO
What?! Him? No, you two broke up! I broke you up!
4. Same framing as the panel before, however Peter has stepped into the door frame so that he and Mephisto are standing side by side. It is here we can see that Peter too holds a box of chocolates and a small bunch of flowers, obviously picked from the roadside. Peter is looking at Mephisto with a puzzled look on his face. Mephisto’s flowers are now ablaze.
PETER
What are you talking about J.J?
MEPHISTO
No Peter I am not J. Jonah Jameson. I am Mephisto, The King of Darkness.
PETER
...
MEPHISTO
The Prince of Lies?
PETER
...
MEPHISTO
Collector of Souls?
5. A wider framing of the previous panel. MJ can now be fully seen in the panel, with Peter still looking at Mephisto confused.
MJ
I thought you collected marriages now?
MEPHISTO
Pft, yeah right. I only use that one when I want to have a crack at someone’s wife. So far you two are the only ones to have bought it.
PETER
Listen Mister, I don’t know why you’re collecting shoes but I’m here to take MJ out on a date!
6. Same panel, but Mephisto is looking at Peter. There is another shadowed figure in the distant hall. Mephisto’s flowers are again wilted, with a slight tinge of smoke coming from them.
MEPHISTO
Shouldn’t you be at home making out with your Aunt or something?
MJ
Sorry tiger, but as I said I already have a date for tonight.
PETER
Who?
7. Again, the same panel. However towering behind Mephisto and Peter is the slick looking Norman Osborn. He is wearing his token green suit and white shirt (purple tie optional), holding a massive and impressive bouquet of roses. Peter is glancing up sideways at Norman with a look of shock and disgust. Mephisto’s flowers are in full bloom.
NORMAN
Mary Jane. Parker. Mephisto.
MEPHISTO
Hey Norm.
PETER
What? HIM! You’re going on a date with the devil himself?
MEPHISTO
You really need to start wearing your glasses again.
NORMAN
Now, now Peter. All of my sins are in the past. Mary Jane, shall we?
8. We are looking from the doorway, but this time Peter and Mephisto, who are still standing side by side, have their backs to us. Between the two we can see the distant figures of MJ and Norman walking away, arms linked. It looks as if MJ is laughing in her airheaded way at something Norman has just said.
PETER
So what do we do now JJ?
MEPHISTO
God I hate you Peter.
In the bottom right hand corner of the panel one of Mephisto’s flowers has a face on it, and is winking at the reader. Underneath it says “The End”.
Sunday, June 6, 2010
Mephisto - Collision - Ryan K Lindsay
Text: Who is Mephisto?
*the first use of Mephisto should be large and old school, like an iconic logo for him.
Text: It’s a question scholars have laboured centuries trying to ponder, and it’s a problem that even Mephisto himself doesn’t bother to spend time analysing.
Text: All that matters is what Mephisto can do. The answer there is painfully easy. Anything. There is nothing outside of his wheelhouse, the only wall or barrier known is by delineating what he wants to do.
Text: Approaching the intersection of 51st St and 10th Ave we have a multitude of everyday people living their lives. A single mother, struggling to appreciate and understand her child’s tears, doesn’t look where she is going; a truck driver, carrying a payload he’d prefer not to have within his vehicle, lets his foot drop down just a little bit harder than usual just so he can be rid of such filth; a young boy walks along, not a care in the world; and a blind old alcoholic stands and waits, every care in the world has already had its way with him and left him a hollow shell of a man.
Text: No one could guess how these people will meet seconds into their future. And none of them will ever know why.
Image: We have a bird’s eye view of a usual New York intersection, it’s the aforementioned 51st and 10th, and we should see maybe one block more on each side, this isn’t extreme close up time for the intersection, the people should be small but clear enough to make out what we are seeing. I’m thinking a pretty good level of detail is going to be needed here, Seth Fisher style if you can. We want to see trash in the gutters, other characters standing around and adding depth. I want the mentioned characters all slowly converging on the intersection, though the old man is already there. The mother and child are coming from the top of the image, the truck from the bottom, the boy from the right, and the old man already standing on the right in front of the boy. The boy also needs to have red hair. And on the left side of the intersection I want to see a familiar man in a red coat with a high collar and black/red hair. We all know who he is, but we don’t get a great look at him. Have a dog barking at him from behind.
Image: Also, feel free to sneak some Easter eggs into the scene, perhaps a trenchcoated Travis Bickle, maybe even Sport standing nearby in the stoop of a building. A young soup nazi is working a mobile soup stand, like those hot dogs stands. You know, that sort of thing. Make the page come alive, the audience only gets one page, and one image, make them appreciate it.
Bottom Text: But one person knows why. And he’ll be the only one to ever know. You’d have to ask really nicely to find out why, and maybe even offer something, because when dealing with the black hole of Mephisto’s soul no light gets in or out for free.

