Showing posts with label Wolverine. Show all posts
Showing posts with label Wolverine. Show all posts

Saturday, July 27, 2013

Wolverine – Moratorium – Brian Manton


1.
Wolverine (as Patch, his Madripoor alias – eyepatch over left eye) lies slack-jawed against a wall in a Madripoor alleyway. He is clearly unconscious. His face torn up - the aftermath of a bullet through his right eye, shining socket revealed. Two Madripoor gangsters in suits lie clawed and dead in the background.

Wolverine (CAP):  The waiting is the bit I could do without. Stumbling through the brain damage, between panic and euphoria and not knowing the difference. Clawing my way back to consciousness and pain.

2.
Louisiana back road. What's left of Wolverine's body chained and dragged by a speeding truck. It tumbles along the rough road, most of the flesh gone.

Wolverine (CAP):  No senses yet, not knowing what I'll wake up to.

3.
The Sonoran Desert, Arizona. Coyotes fight over Wolverine’s limp remains, pulling lengths of flesh in opposite directions.

Wolverine (CAP):  When it's this bad the factor steals muscle mass, bone density, whatever it has to, to get the essentials back online. Can't get something from nothing.

4.
Wolverine’s body, lifeless in the centre of a boxing ring in an empty gym. Blood is dried brown into the canvas in a gory splatter. A chainsaw with chunks of flesh stuck between its teeth lies discarded in the corner of the ring.

Wolverine (CAP):  Before the adamantium I'd come round to days like a china doll, and didn't always have the luxury of taking it easy on brittle bones.

5.
Vultures pick at Wolverine's body as he hangs from a massive rail bridge over a beautiful canyon, thin blue meandering line of river glistening below.

Wolverine (CAP):  As the nerves start to light up again it’s just the ghosts of feeling. Insect crawling discomfort - and that's before I can feel the maggots I'm probably going to have to root out later.

6.
Wolverine (plain clothes) pinned to the seabed by a huge ship anchor buried in his gut.

Wolverine (CAP):  Eventually I can think straight. At this stage I'm a hell of a guess at how long it'll be before I can move again. Where's a bookie when you need one?

7.
Wolverine (brown costume) on a Japanese mountainside. He kneels, prone, with eight swords sticking out from between his ribs and one through the back of his neck and out his mouth. His abdomen has been sliced, intestines hang. His neck is cut in a failed attempt to decapitate him.

Wolverine (CAP):  I always end up back here. Stuck with myself for company – and I'm not exactly my own greatest fan.

8.
Close on Logan's right eye (left as we look at it, the rest of his face cropped panel right). There are cuts and scratches all over his face. His eye is open and alert, pupil contracted in the light. There is a sense of purpose in his stare.

Wolverine (CAP):  But then I laugh to myself because I remember who did it and that they think I'm done.

Wolverine - Duel - R.A. Wonsowski

Layout: 2x3, done in the style of Charles Schulz's PEANUTS.

Panels 1 through 4 - Close-up, profile shot of LOGAN (looking to the right side of the panel).  His teeth are clenched and bare.  Sweat drips from his forehead, his hair is blown back in the wind, eyes a little wide.  Copy as follows:

Panel 1 - CAPTION 1:  Lost count of how many times I faced down situations like this.

Panel 2 - CAPTION 2:  Especially with Charley's crew.  How often it came down to me.

Panel 3 - CAPTION 3:  Now here I am with Hudson's A-Team.  Just like coming home.

Panel 4 - CAPTION 4:  Here we go...fastball special...


Panel 5 - Pull back.  We see LOGAN swing his baseball bat, connecting solidly with the ball.

SoundFX:  CRACK!!!


Panel 6 - Logan jogs to first base, fist pumping in the air. He's wearing a baseball cap, white t-shirt, shorts, and shoes like dinner rolls.  In the background, we see BEAST in his catcher's equipment, mask up, two blue fingers up, standing in front of CHARLES XAVIER, on the pitcher's mound in his wheelchair, wearing a yellow shirt with a zig-zag stripe, looking right at us, baseball cap brim to the side, and a nauseous look on his face.  There is a scoreboard that reads A. FLIGHT 12 - VISITORS 0.

LOGAN - ANOTHER HOMER FOR THE WOLVERINE!

CHARLES - Good grief!

BEAST - (small lettering) Oh my stars and...ONE finger means the high straight ball, TWO fingers...


Friday, July 26, 2013

Wolverine - Boys' Night In - Niel Jacoby

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Panel 1: Wolverine and Deadpool are sitting on opposite sides of a card table, with equal amounts of poker chips. Iceman is sitting between them, really nervous. Deadpool is moving some chips to the middle of the table.

Iceman: SO THIS IS WHAT YOU GUYS DO ON FRIDAY NIGHTS, HUH?

Wolverine: YEP.
(link)
HOW MUCH YOU BETTIN', POOL?

Deadpool: 10.

Panel 2: Wolverine moves some chips to the middle.

Wolverine: I SEE YOUR 10 AND RAISE YOU 20.

Deadpool: I CALL.

Wolverine: SAME TOO. ROLL IT.

Panel 3: Deadpool spins the chamber of a revolver.

Deadpool: LAST CHANCE TO TAKE BACK YOUR BET, HAIR-BOY.

Wolverine: NO WAY, CHEETO BREATH.

Deadpool: OK.

Panel 4: Deadpool sticks the barrel in his mouth, pointing somewhat upward.

NO COPY

Panels 5-7: close ups on the three, Deadpool first, an incredibly nervous Iceman second, a steady calm Wolverine third.
Wolverine(p5): 1...
(p6): 2...
(p7):3.

Panel 8: Deadpool pulls the trigger, blowing his brains out. Iceman is horrified, Wolverine is smirking.

SFX: BLAAOW!

Iceman: OH MY GOD

Panel 9: Wolverine moves the pot over to his side. Iceman is still on edge as Deadpool's head is beginning to heal.

Deadpool: BHEEAH SHOOO AOOOOGH CHREE?*

Caption: *"BEST 2 OUT OF 3?"

Wolverine - In the Dead of Night - J.D. Coughlan


Again, apologies for lateness. My internet should be fine now.

Panel 1: Flashback, tinted red. Logan stands in front of a frightened woman, protecting her from a dozen or so men in suits armed with swords. He looks enraged, his claws already out. Everyone's clothes indicate this is maybe 50 years ago.

NO DIALOGUE

Panel 2: Present, tinted blue. Logan, in Wolverine costume, perched on a rooftop, looking into a bedroom window of an adjacent building. We see only his silhouette.

NO DIALOGUE

Panel 3: Flashback, tinted red. Logan slaughtering those men, the woman cowering in the background.

NO DIALOGUE

Panel 4: Present, tinted blue. Inside the bedroom Logan was observing before. He stands framed in the window. In the foreground, the woman from the flashback lies on her side, facing us, sleeping.

NO DIALOGUE

Panel 5: Flashback, tinted red. Logan stands among the dead bodies of those men, his claws still out, coming down off his adrenaline high. Behind him, the woman calmly picks up a discarded sword.

NO DIALOGUE

Panel 6: Present, tinted blue. Logan now stands right behind the sleeping woman, his hand on her back.

NO DIALOGUE

Panel 7: Flashback, tinted red. The woman drives the sword through Logan's chest, much to his surprise.

NO DIALOGUE

Panel 8: Present, tinted blue. Exact same shot as Panel 6, except the woman's eyes are wide open.

SFX: (small) snikt

END OF PAGE

Thursday, July 25, 2013

Wolverine – Frost Bite - Shaun Richens.


PAGE FIVE – 7 PANELS.

5.1 CU on Wolverine’s nose. His nostrils are flared, his nose wrinkled as he sniffs the air.

SFX:
Sniff. Sniff.

5.2 CU on Wolverine’s mouth, a sly grin creeping up one side of it. Stubble covers his chin.

WOLVERINE:
Thought I’d lost you. Guess your nose is better than mine.

5.3 Wide panel, a bleak and barren snowy wilderness. Through a clearing in a patch of leafless tress we see a large WOLF, teeth showing, dripping in saliva. Its head lowered, front legs down, ready to make its move on its prey, on Wolverine.

NO COPY.

5.4 Classic showdown profile shot. Snow has covered everything in a blanket of white all we can see are the Wolf on the left and Wolverine, in a tattered and torn X-men uniform still stained in his blood standing on the right. Both are paused waiting for the other to react to rashly.

NO COPY.

5.5 CU on Wolverines clenched fist.

WOLVERINE:
Now lets see who has the sharpest claws bub.

5.6 Repeat CU on Wolverines clenched fist. However now Wolverine has popped his claws.

SFX:
Snikt

5.7 Repeat panel of 5.4 the showdown panel. Wolverines claws are now popped and his arms held up in front of him ready to fight.

The white B/G is now dotted with half a dozen pairs of glowing WOLVES eyes, the rest of the pack.

NO COPY. 


Wednesday, July 24, 2013

Wolverine – Marvel Babies: Age of Ultron – MK Stangeland Jr.


(For art and concept reference, see the “A-Babies vs. X-Babies” one-shot.)

(7 Panels)

Panel 1: WOLVERINE and SUE STORM stand in the doorway of HANK PYM’s room. They look angrily at HANK PYM.

The room itself looks full of science-type equipment, the kind that looks overly complicated and that you really only see in works of fiction.

WOLVERINE: You’ve gone too far this time, Hank!

HANK PYM: What are you talking about?

WOLVERINE: Ultron!

Panel 2: WOLVERINE points at a nearby window. Out it, we can see the playground.

There, ULTRON is giving NICK FURY a massive wedgie while chasing CAPTAIN AMERICA around, shooting some kind of beam that’s bouncing off his shield. A number of other baby versions of Marvel characters can be seen lying about on the ground.

WOLVERINE (1): Your stupid science fair reject is being a big bully!

WOLVERINE (2): You see the way he’s taken over the playground!

Panel 3: HANK PYM has a pouting look on his face. He point to a picture hanging on the wall of him a turned off ULTON. The version of HANK PYM in the photo has a smile on his face as large as can be, and the ULTON has a ‘1st place’ ribbon attached to him.

HANK PYM (1): Nu-uh!

HANK PYM (2): He’s not a reject, he won first prize!

Panel 4: WOLVERINE lunges at HANK PYM, with SUE STORM right behind him.

WOLVERINE: I don’t care! You’re shutting him down!

HANK PYM: Oh yeah? Make me!

WOLVERINE: With pleasure!

Panel 5: HANK PYM grows and tries to grab WOLVERINE, but gets hit by one of SUE’s invisible bubbles in the face, allowing WOLVERINE to slide between HANK’s legs.

HANK PYM: Stupid head! You ca-OW!

WOLVERINE: Good work, Sue!

Panel 6: WOLVERINE is on HANK PYM’s back and in the process of giving HANK a massive wegie of his own.

WOLVERINE: Say Uncle, Hank!

HANK PYM: No-OW! OW! OW!

Panel 7: WOLVERINE stands on HANK PYM’s shoulder, grabbing on to him with one arm and trying to give him a noogie with the other.

WOLVERINE: Say it! SAY IT!

SFX: *noogie*noogie*noogie*

HANK PYM: OW! STOP IT! OW! NO! OW!

(END PAGE)

Tuesday, July 23, 2013

Wolverine -Rogues Gallery -Dan Hill

Page 1

ONE:
Wide; CU on WOLVERINE’s mouth, his teeth gritted in anger.

1. CAPTION/Wolverine:        I’ve fought a lot of monsters in my time.

2. CAPTION/Wolverine:        All of ‘em scary in their own way.

TWO:
Classic WOLVERINE (whiskers!) hurls himself at the HULK.

3. CAPTION/Wolverine:        Rage personified.

THREE:
WOLVERINE (in a different iteration of his costume) grapples with NUKE somewhere on the rooftops of New York.

4. CAPTION/Wolverine:        Distorted patriotism.

FOUR:
Another costume change, another battle. This time WOLVERINE is tangling with OMEGA RED somewhere on the arctic ice.

5. CAPTION/Wolverine:        Monsters.

FIVE:
WOLVERINE, in civilian clothes now, fights DAKEN in the alleyways of Madripoor.

6. CAPTION/Wolverine:        Shadows.

SIX:
The classic shot of WOLVERINE during the Weapon X Program ()

7. CAPTION/Wolverine:        All of ‘em reflections in a shattered mirror.

Sunday, July 21, 2013

Wolverine - The Curse of a Long Life - Ben Rosenthal


1.    Logan is in a flashback looking sequence.  He is dressed in army fatigues, cutting a swath through men during World War II

CAPTION
I've lived through wars. Settled most of ‘em myself.


2.   Logan is holding the dead body of Mariko, devastated.

CAPTION
I've loved and lost…


3.  Logan suffering on his most recent trip to Hell.  Sabretooth is torturing him, laughing. 

CAPTION
…and been to hell and back. 


4.  Wolverine is throwing down against Loki with the Avengers.

CAPTION
I've thrown down with Gods and Kings and kept on keeping on.


5.   Logan is sitting alone in a bar, staring into his beer glass.  He is alone with his memories.

CAPTION
Times like this…

They hurt more than you could ever know.



Why Wolverine?


Because he is the best.....


At what he does...





And what he does....

Isn't pretty.


Snikt.


Friday, November 16, 2012

The President Of The United States of America - The Day After - Niel Jacoby

Panel 1: The President of the United States, same one as in the real world, sits at his desk, one hand holding his phone to his ear, other hand holding some sort of paperwork he's reading over. He's determined and more occupied with the work at hand than the conversation, but still has a smile on his face. A clock in the background reads 8:30.

Caption: NOVEMBER 7, 2012

PHONE: EVEN THOUGH WE AS A NATION MAY HAVE DISAGREEMENTS AMONG OURSELVES, WE CAN STILL WORK TOGETHER TO SOLVE PROBLEMS WHEN IT REALLY COUNTS. I'VE GOT TO SAY I'M GLAD WE HAVE A PRESIDENT WHO TRULY UNDERSTANDS THAT.

POTUS: ME TOO, CAP. AND I ALWAYS DID LOOK UP TO YOU.

Panel 2: Same mileu as the first, different paperwork, same expression, 8:50.

PHONE: VERILY, I KNOW NIGH LITTLE OF THINE MORTAL POLITICS, BUT THEY SEEM A DAMN SIGHT HARDER THAN SIMPLY KILLING THE STRONGEST MAN IN THE VILLAGE TO OBTAIN DOMINANCE OVER HIS LAND AND WOMEN. I DOFF MY WINGED CAP TO THEE, AS THOU HAST CONQUERED A SYSTEM I FALL SHORT OF EVEN UNDERSTANDING, NOT ONCE BUT TWICE. BUT EVEN YOU HAVE NOT KNOCKED OUT THE TEETH OF THE MIDGARD SERPENT WHILST THOU WEREST EVEN IN ITS OWN MOUTH, SO AS MY COMPATRIOT CLINT BARTON WOULDST SAY, "NEENER NEENER".

POTUS: YOU EVER DEAL WITH A TICKED-OFF HILLARY CLINTON?

PHONE: ...

POTUS: I REST MY CASE.

Panel 3: Same general environs as the 1st and 2nd, 9:16. The president is looking a bit annoyed.

PHONE: LISTEN, BUB, EVEN THOUGH YA GOT TA BIN LADEN BEFORE I HAD THE CHANCE, I DON'T HOLD IT AGAINST YA.

PHONE(SMALLER): LOGAN! THE PRESIDENT IS A BUSY MAN AND DOESN'T NEED THE HASSLE OF YOU CALLING HIM ALL THE TIME! LET HIM GET BACK TO HIS JOB!

PHONE: *SIGH* FINE, KITTY. I'LL LET THE PRESIDENT GET BACK TO WHAT HE WAS DOING.

POTUS: YOU'D BETTER LISTEN TO HER, LOGAN. SHE SEEMS LIKE SHE'S GOT A BETTER HEAD ON HER SHOULDERS THAN YOU DO.

PHONE: AH, WHADDA YOU KNOW? YOU DON'T HAVE ADAMANTIUM BONES.

Panel 4: 10:02. The president doesn't even look like he's listening, just going through the paperwork.

PHONE: HEY BARRY, THIS IS DEADPOOL. I JUST WANTED TO SAY, FROM THE BOTTOM OF MY HEART--

Panel 5: 10:03. The president has the phone at arm's length, and is calling out to the other room.

PHONE(Much louder than before): BABA BOOEY BABA BOOEY HOWARD STERN'S PENIS!

POTUS: ANYONE KNOW IF WE CAN JUST BLOCK ALL CALLS FROM CANADA FOR THIS PHONE? MAYBE REDIRECT THEM TO DIAMOND JOE? ANYONE?

Saturday, September 22, 2012

Judge Anderson - Parallel Lines - R.A. Wonsowski

(Inspired by, and dedicated to, Ben Rosenthal - Your last week's script is to blame for this...)

Set-up:  X-Force members DEADPOOL, PSYLOCKE and WOLVERINE, in their black and white costumes, are separated from their team and shunted into the future, only to find themselves in Mega-City One!  Psylocke's mental abilities alert Psi-Ops, and the three are captured by JUDGE ANDERSON of Psi-Division!

Panel 1 - Background:   DEADPOOL, PSYLOCKE and WOLVERINE are sitting on the sidewalk, backs against a wall, hands behind their backs because they're cuffed.  Foreground:  JUDGE ANDERSON is leaning against her motorcycle, helmet off, talking on her radio.

VOICE ON RADIO:  They don't match any of the genome records, Judge.

ANDERSON:  No ID's either.  I'll see what I can glean psi-wise.

Panel 2 - JUDGE ANDERSON sits on her haunches in front of DEADPOOL, the two of them staring into each other's eyes.

NO COPY

Panel 3 - Same as panel 2

DEADPOOL (thought balloon, with musical notes):  Call Me! - Whoa, call me - call me any day or night...

DEADPOOL (thought balloon, with musical notes):  One Way - Or Another - I'm gonna find ya...

Panel 4 - Same as above

DEADPOOL (thought balloon, with musical notes):  ...I'm gonna getchagetchagetchagetcha one way...

DEADPOOL (thought balloon, with musical notes):  ...Tide is High but I'm holdin' on...

Panel 5 - Same as above

DEADPOOL (thought balloon, with musical notes):  ...I'm gonna be you're number one...

DEADPOOL (thought balloon, with musical notes):  ...nu-u-umber one...

Panel 6 - JUDGE ANDERSON is back on her feet, looking at PSYLOCKE and WOLVERINE.  She's back on her radio.  PSYLOCKE's face is hard, but WOLVERINE has his head cocked with a "I-know-her-from-somewhere" look on his face.

JUDGE ANDERSON:  I'm getting nowhere with the strange singing in the first one's head.  I'm going to try the other two...

PSYLOCKE (thought balloon):  (image of a brick wall)

WOLVERINE (thought balloon, with musical notes):  ...nu-u-umber one...


(Oh, c'mon, you can't tell me no one else has noticed:
...really?)